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Washington, D.C., 1925. Horace "Happy" Walker, leader of the band seen in the previous post. National Photo Company glass negative. View full size.
I wonder if he ate at the Happy News Cafe?
Washington Post, May 31, 1925.Glen Echo Park Thrives.
At Glen Echo the new ballroom has proved a wonderful addition to the park, and "Happy" Walker has been exclusively engaged to direct and play with his band, the Golden Pheasants, every week night from 8:30 to 11:30. He features "requests," and for the asking will play any number.
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Washington Post, Aug 24, 1964.Horace (Happy) Walker, Boatman, Band Leader.
Horace (Happy) Walker, boating enthusiast, public relations consultant and ex-band-leader, died Friday at Mount Alto Hospital of pneumonia. Mr. Walker, 65, lived at Ponder Cove, in Edgewater, Md.
Orphaned when he was 10, he worked the vaudeville circuit in New York and in 1923, between performances with a vaudeville act called "50 Miles from Broadway," he visited the Capital and decided to settle here. That year he brought his orchestra from New York to play at local clubs and private parties.
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Obviously we know how this man got his name. I wonder if his "musicians wanted" ads indicated "sourpusses need not apply." Even though today it isn't considered cool to smile, people are still drawn to their more cheerful brethren. It's also a fact that a smile makes one look younger, hence another reason to keep those lips turned up.
Herringbone pattern double-breasted in what appears to be gray. Tweed, perhaps? Could be as it looks like a coarse weave. Unlike on modern suit jackets, there are only two cuff buttons, and they're not ornamental--they actually button the cuff.
Horace "Happy" Walker's Orchestra was popular in the Washington-Baltimore area in the '20s and '30s. In 1937 they played at one of Franklin Roosevelt's inaugural balls. His main instrument was trumpet. When he developed pneumonia he had to stop playing. He also had a radio program on WOL.
More saxophone technical geekery!!
Happy's handling a "New Wonder" model Alto Saxophone by the C.G. Conn company. Easy tell, from that angle: it's that knurled round metal drum right behind the rubber mouthpiece. Conn called it a "Microtuner"; instead of fine tuning the horn by pulling the mouthpiece out on the neck, or pushing it in, you rotated that drum and the end of the saxophone's neck where the mouthpiece is attached would move in or out, depending. Conn used that kind of mechanism on their altos until about the mid 1950's.
This guy makes me want to party -- and I don't party!
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